Betty
Jean is not young and beautiful. She's not highly educated. She doesn't
have a glamorous career. And she's not married to a fabulously handsome
and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
A new brand of vivid
Terry McMillan protagonist, struggling with family and finances.
Who Asked You?
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E.
Quinones Miller
Betty Jean is not young
and beautiful. She's not highly educated. She doesn't have a glamorous career.
And she's not married to a fabulously handsome and wealthy man.
In short, she hardly
resembles any of the protagonists in Terry McMillan's blockbuster novels - Waiting
to Exhale, Disappearing Acts, How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that everyone who
reads about her knows someone just like her. And though you may not want to be
her, you want to see her succeed.
Not many authors can
create characters so vivid that readers can't help but sympathize with them.
Even fewer can actually create a character with whom readers can empathize.
Fortunately for us, McMillan is one of those few.
There's not a lot of
drama or glamour in Who Asked You?, and the book starts off a little
slowly. Then again, so does life. McMillan has done an outstanding job of
creating characters to whom everyone can relate, dealing with issues with which
everyone is familiar. Because of that, Who Asked You? is a book that
makes you feel you are witnessing a friend's life and wishing for her the best
outcome.
Betty Jean Butler is a
middle-age hotel worker struggling to pay her bills while also dealing with a
husband suffering from dementia and dying from cancer. Though she's the mother
of three grown children, she gets more grief than support from them.
Her daughter, Trinetta,
has three children by three different men and is strung-out on crack. Even
after losing custody of her little girl due to negligence, she's still an
irresponsible mom.
Betty Jean's youngest
son, Dexter, is in prison for a crime he swears he didn't commit. He's eligible
for parole and is constantly writing his mother begging for money and telling
her about his extravagant plans for his life once he's released - all of which
Betty Jean knows are totally unattainable.
Her oldest son, Quentin,
is a successful chiropractor and serial husband, currently working on his fifth
wife. Though he claims to love his mother, he doesn't bother to spend any time
with her - or spend any money on her - to prove that love. In fact, he doesn't
want anyone who reminds him of his African American heritage.
But if she doesn't get
support from her children, she certainly gets it from her two sisters, though
not the kind she needs.
Her younger sister, Venetia, is a
Bible-quoting fanatic. She firmly believes that all of Betty Jean's problems
would be resolved if she would just attend church every Sunday. Married to a
wealthy but absent husband, Venetia strives to be compassionate, but can't really understand
other people's problems because she's too busy denying her own.
Her older sister, Arlene,
on the other hand, doesn't give a hoot about compassion. She's bossy,
controlling, overly critical, and always has something to say. In her opinion -
and her opinion is the only one that counts - if Betty Jean would just let her
run her life, everything would be straightened out quickly. But while Arlene
swears she knows what's best for everyone else, she's blind to the fact that
her overbearing ways are suffocating her own adult son.
When Trinetta drops off
her children for a few hours, then skips town with a boyfriend, Betty Jean is
faced with trying to take care of two needy little boys while working full
time.
Arlene weighs in quickly:
Betty Jean should put the kids in foster care, put her husband in a nursing
home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be disappointments, she
feels God is giving Betty Jean an opportunity to prove she really can be a good
mother.
Then life finally rips
off Venetia's and Arlene's blindfolds, forcing them to deal with the
problems in their own households. Will the sisters learn that by leaning on
each other, they can all grow strong enough to stand alone?
This is not a fairy tale
- there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end
of the rainbow.
Instead, there is a
loving husband who was once a rock, but is now a burden; sisters and friends
who say they are trying to help, but give more grief than support; and a
seemingly never-ending struggle to make ends meet. But, in writing this book,
Terry McMillan reminds us that no matter what, there's always the possibility
of a Happily Ever After.
Karen E. Quinones-Miller is a former Inquirer staff writer whose
novels include "Satin Doll," "Passin'," and "An
Angry-Ass Black Woman."
Character we can all root for
A new brand of vivid Terry McMillan protagonist, struggling with family and finances.
From the book jacket of "Who Asked You?" by Terry McMillan.
Posted:
Sunday, September 22, 2013, 3:01 AM
Who Asked You?
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E. Quinones Miller
Betty Jean is not young and beautiful. She's not highly educated. She
doesn't have a glamorous career. And she's not married to a fabulously
handsome and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Not many authors can create characters so vivid that readers can't
help but sympathize with them. Even fewer can actually create a
character with whom readers can empathize. Fortunately for us, McMillan
is one of those few.
There's not a lot of drama or glamour in
Who Asked You?, and
the book starts off a little slowly. Then again, so does life. McMillan
has done an outstanding job of creating characters to whom everyone can
relate, dealing with issues with which everyone is familiar. Because of
that,
Who Asked You? is a book that makes you feel you are witnessing a friend's life and wishing for her the best outcome.
Betty Jean Butler is a middle-age hotel worker struggling to pay her
bills while also dealing with a husband suffering from dementia and
dying from cancer. Though she's the mother of three grown children, she
gets more grief than support from them.
Her daughter, Trinetta, has three children by three different men and
is strung-out on crack. Even after losing custody of her little girl
due to negligence, she's still an irresponsible mom.
Betty Jean's youngest son, Dexter, is in prison for a crime he swears
he didn't commit. He's eligible for parole and is constantly writing
his mother begging for money and telling her about his extravagant plans
for his life once he's released - all of which Betty Jean knows are
totally unattainable.
Her oldest son, Quentin, is a successful chiropractor and serial
husband, currently working on his fifth wife. Though he claims to love
his mother, he doesn't bother to spend any time with her - or spend any
money on her - to prove that love. In fact, he doesn't want anyone who
reminds him of his African American heritage.
But if she doesn't get support from her children, she certainly gets it from her two sisters, though not the kind she needs.
Her younger sister, Venetia, is a Bible-quoting fanatic. She firmly
believes that all of Betty Jean's problems would be resolved if she
would just attend church every Sunday. Married to a wealthy but absent
husband, Venetia strives to be compassionate, but can't really
understand other people's problems because she's too busy denying her
own.
Her older sister, Arlene, on the other hand, doesn't give a hoot
about compassion. She's bossy, controlling, overly critical, and always
has something to say. In her opinion - and her opinion is the only one
that counts - if Betty Jean would just let her run her life, everything
would be straightened out quickly. But while Arlene swears she knows
what's best for everyone else, she's blind to the fact that her
overbearing ways are suffocating her own adult son.
When Trinetta drops off her children for a few hours, then skips town
with a boyfriend, Betty Jean is faced with trying to take care of two
needy little boys while working full time.
Arlene weighs in quickly: Betty Jean should put the kids in foster
care, put her husband in a nursing home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be
disappointments, she feels God is giving Betty Jean an opportunity to
prove she really can be a good mother.
Then life finally rips off Venetia's and Arlene's blindfolds, forcing
them to deal with the problems in their own households. Will the
sisters learn that by leaning on each other, they can all grow strong
enough to stand alone?
This is not a fairy tale - there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end of the rainbow.
Instead, there is a loving husband who was once a rock, but is now a
burden; sisters and friends who say they are trying to help, but give
more grief than support; and a seemingly never-ending struggle to make
ends meet. But, in writing this book, Terry McMillan reminds us that no
matter what, there's always the possibility of a Happily Ever After.
Karen E.
Quinones-Miller is a former Inquirer staff writer whose novels include
"Satin Doll," "Passin'," and "An Angry-Ass Black Woman."
Latest Entertainment Stories:
Also on Philly.com:
Stay Connected
Get the latest Lifestyles newsletter delivered to your email. Sign up now!
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
Character we can all root for
A new brand of vivid Terry McMillan protagonist, struggling with family and finances.
From the book jacket of "Who Asked You?" by Terry McMillan.
Posted:
Sunday, September 22, 2013, 3:01 AM
Who Asked You?
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E. Quinones Miller
Betty Jean is not young and beautiful. She's not highly educated. She
doesn't have a glamorous career. And she's not married to a fabulously
handsome and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Not many authors can create characters so vivid that readers can't
help but sympathize with them. Even fewer can actually create a
character with whom readers can empathize. Fortunately for us, McMillan
is one of those few.
There's not a lot of drama or glamour in
Who Asked You?, and
the book starts off a little slowly. Then again, so does life. McMillan
has done an outstanding job of creating characters to whom everyone can
relate, dealing with issues with which everyone is familiar. Because of
that,
Who Asked You? is a book that makes you feel you are witnessing a friend's life and wishing for her the best outcome.
Betty Jean Butler is a middle-age hotel worker struggling to pay her
bills while also dealing with a husband suffering from dementia and
dying from cancer. Though she's the mother of three grown children, she
gets more grief than support from them.
Her daughter, Trinetta, has three children by three different men and
is strung-out on crack. Even after losing custody of her little girl
due to negligence, she's still an irresponsible mom.
Betty Jean's youngest son, Dexter, is in prison for a crime he swears
he didn't commit. He's eligible for parole and is constantly writing
his mother begging for money and telling her about his extravagant plans
for his life once he's released - all of which Betty Jean knows are
totally unattainable.
Her oldest son, Quentin, is a successful chiropractor and serial
husband, currently working on his fifth wife. Though he claims to love
his mother, he doesn't bother to spend any time with her - or spend any
money on her - to prove that love. In fact, he doesn't want anyone who
reminds him of his African American heritage.
But if she doesn't get support from her children, she certainly gets it from her two sisters, though not the kind she needs.
Her younger sister, Venetia, is a Bible-quoting fanatic. She firmly
believes that all of Betty Jean's problems would be resolved if she
would just attend church every Sunday. Married to a wealthy but absent
husband, Venetia strives to be compassionate, but can't really
understand other people's problems because she's too busy denying her
own.
Her older sister, Arlene, on the other hand, doesn't give a hoot
about compassion. She's bossy, controlling, overly critical, and always
has something to say. In her opinion - and her opinion is the only one
that counts - if Betty Jean would just let her run her life, everything
would be straightened out quickly. But while Arlene swears she knows
what's best for everyone else, she's blind to the fact that her
overbearing ways are suffocating her own adult son.
When Trinetta drops off her children for a few hours, then skips town
with a boyfriend, Betty Jean is faced with trying to take care of two
needy little boys while working full time.
Arlene weighs in quickly: Betty Jean should put the kids in foster
care, put her husband in a nursing home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be
disappointments, she feels God is giving Betty Jean an opportunity to
prove she really can be a good mother.
Then life finally rips off Venetia's and Arlene's blindfolds, forcing
them to deal with the problems in their own households. Will the
sisters learn that by leaning on each other, they can all grow strong
enough to stand alone?
This is not a fairy tale - there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end of the rainbow.
Instead, there is a loving husband who was once a rock, but is now a
burden; sisters and friends who say they are trying to help, but give
more grief than support; and a seemingly never-ending struggle to make
ends meet. But, in writing this book, Terry McMillan reminds us that no
matter what, there's always the possibility of a Happily Ever After.
Karen E.
Quinones-Miller is a former Inquirer staff writer whose novels include
"Satin Doll," "Passin'," and "An Angry-Ass Black Woman."
Latest Entertainment Stories:
Also on Philly.com:
Stay Connected
Get the latest Lifestyles newsletter delivered to your email. Sign up now!
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E. Quinones Miller
Betty Jean is not young and beautiful. She's not highly educated. She
doesn't have a glamorous career. And she's not married to a fabulously
handsome and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Not many authors can create characters so vivid that readers can't
help but sympathize with them. Even fewer can actually create a
character with whom readers can empathize. Fortunately for us, McMillan
is one of those few.
There's not a lot of drama or glamour in
Who Asked You?, and
the book starts off a little slowly. Then again, so does life. McMillan
has done an outstanding job of creating characters to whom everyone can
relate, dealing with issues with which everyone is familiar. Because of
that,
Who Asked You? is a book that makes you feel you are witnessing a friend's life and wishing for her the best outcome.
Betty Jean Butler is a middle-age hotel worker struggling to pay her
bills while also dealing with a husband suffering from dementia and
dying from cancer. Though she's the mother of three grown children, she
gets more grief than support from them.
Her daughter, Trinetta, has three children by three different men and
is strung-out on crack. Even after losing custody of her little girl
due to negligence, she's still an irresponsible mom.
Betty Jean's youngest son, Dexter, is in prison for a crime he swears
he didn't commit. He's eligible for parole and is constantly writing
his mother begging for money and telling her about his extravagant plans
for his life once he's released - all of which Betty Jean knows are
totally unattainable.
Her oldest son, Quentin, is a successful chiropractor and serial
husband, currently working on his fifth wife. Though he claims to love
his mother, he doesn't bother to spend any time with her - or spend any
money on her - to prove that love. In fact, he doesn't want anyone who
reminds him of his African American heritage.
But if she doesn't get support from her children, she certainly gets it from her two sisters, though not the kind she needs.
Her younger sister, Venetia, is a Bible-quoting fanatic. She firmly
believes that all of Betty Jean's problems would be resolved if she
would just attend church every Sunday. Married to a wealthy but absent
husband, Venetia strives to be compassionate, but can't really
understand other people's problems because she's too busy denying her
own.
Her older sister, Arlene, on the other hand, doesn't give a hoot
about compassion. She's bossy, controlling, overly critical, and always
has something to say. In her opinion - and her opinion is the only one
that counts - if Betty Jean would just let her run her life, everything
would be straightened out quickly. But while Arlene swears she knows
what's best for everyone else, she's blind to the fact that her
overbearing ways are suffocating her own adult son.
When Trinetta drops off her children for a few hours, then skips town
with a boyfriend, Betty Jean is faced with trying to take care of two
needy little boys while working full time.
Arlene weighs in quickly: Betty Jean should put the kids in foster
care, put her husband in a nursing home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be
disappointments, she feels God is giving Betty Jean an opportunity to
prove she really can be a good mother.
Then life finally rips off Venetia's and Arlene's blindfolds, forcing
them to deal with the problems in their own households. Will the
sisters learn that by leaning on each other, they can all grow strong
enough to stand alone?
This is not a fairy tale - there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end of the rainbow.
Instead, there is a loving husband who was once a rock, but is now a
burden; sisters and friends who say they are trying to help, but give
more grief than support; and a seemingly never-ending struggle to make
ends meet. But, in writing this book, Terry McMillan reminds us that no
matter what, there's always the possibility of a Happily Ever After.
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E. Quinones Miller
Betty Jean is not young and beautiful. She's not highly educated. She
doesn't have a glamorous career. And she's not married to a fabulously
handsome and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Not many authors can create characters so vivid that readers can't
help but sympathize with them. Even fewer can actually create a
character with whom readers can empathize. Fortunately for us, McMillan
is one of those few.
There's not a lot of drama or glamour in
Who Asked You?, and
the book starts off a little slowly. Then again, so does life. McMillan
has done an outstanding job of creating characters to whom everyone can
relate, dealing with issues with which everyone is familiar. Because of
that,
Who Asked You? is a book that makes you feel you are witnessing a friend's life and wishing for her the best outcome.
Betty Jean Butler is a middle-age hotel worker struggling to pay her
bills while also dealing with a husband suffering from dementia and
dying from cancer. Though she's the mother of three grown children, she
gets more grief than support from them.
Her daughter, Trinetta, has three children by three different men and
is strung-out on crack. Even after losing custody of her little girl
due to negligence, she's still an irresponsible mom.
Betty Jean's youngest son, Dexter, is in prison for a crime he swears
he didn't commit. He's eligible for parole and is constantly writing
his mother begging for money and telling her about his extravagant plans
for his life once he's released - all of which Betty Jean knows are
totally unattainable.
Her oldest son, Quentin, is a successful chiropractor and serial
husband, currently working on his fifth wife. Though he claims to love
his mother, he doesn't bother to spend any time with her - or spend any
money on her - to prove that love. In fact, he doesn't want anyone who
reminds him of his African American heritage.
But if she doesn't get support from her children, she certainly gets it from her two sisters, though not the kind she needs.
Her younger sister, Venetia, is a Bible-quoting fanatic. She firmly
believes that all of Betty Jean's problems would be resolved if she
would just attend church every Sunday. Married to a wealthy but absent
husband, Venetia strives to be compassionate, but can't really
understand other people's problems because she's too busy denying her
own.
Her older sister, Arlene, on the other hand, doesn't give a hoot
about compassion. She's bossy, controlling, overly critical, and always
has something to say. In her opinion - and her opinion is the only one
that counts - if Betty Jean would just let her run her life, everything
would be straightened out quickly. But while Arlene swears she knows
what's best for everyone else, she's blind to the fact that her
overbearing ways are suffocating her own adult son.
When Trinetta drops off her children for a few hours, then skips town
with a boyfriend, Betty Jean is faced with trying to take care of two
needy little boys while working full time.
Arlene weighs in quickly: Betty Jean should put the kids in foster
care, put her husband in a nursing home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be
disappointments, she feels God is giving Betty Jean an opportunity to
prove she really can be a good mother.
Then life finally rips off Venetia's and Arlene's blindfolds, forcing
them to deal with the problems in their own households. Will the
sisters learn that by leaning on each other, they can all grow strong
enough to stand alone?
This is not a fairy tale - there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end of the rainbow.
Instead, there is a loving husband who was once a rock, but is now a
burden; sisters and friends who say they are trying to help, but give
more grief than support; and a seemingly never-ending struggle to make
ends meet. But, in writing this book, Terry McMillan reminds us that no
matter what, there's always the possibility of a Happily Ever After.
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
By Terry McMillan
Viking. 400 pp. $27.95
Reviewed by Karen E. Quinones Miller
Betty Jean is not young and beautiful. She's not highly educated. She
doesn't have a glamorous career. And she's not married to a fabulously
handsome and wealthy man.
In short, she hardly resembles any of the protagonists in Terry McMillan's blockbuster novels -
Waiting to Exhale,
Disappearing Acts,
How Stella Got Her Groove Back.
But she does share one thing with them: Betty Jean is so real that
everyone who reads about her knows someone just like her. And though you
may not want to be her, you want to see her succeed.
Not many authors can create characters so vivid that readers can't
help but sympathize with them. Even fewer can actually create a
character with whom readers can empathize. Fortunately for us, McMillan
is one of those few.
There's not a lot of drama or glamour in
Who Asked You?, and
the book starts off a little slowly. Then again, so does life. McMillan
has done an outstanding job of creating characters to whom everyone can
relate, dealing with issues with which everyone is familiar. Because of
that,
Who Asked You? is a book that makes you feel you are witnessing a friend's life and wishing for her the best outcome.
Betty Jean Butler is a middle-age hotel worker struggling to pay her
bills while also dealing with a husband suffering from dementia and
dying from cancer. Though she's the mother of three grown children, she
gets more grief than support from them.
Her daughter, Trinetta, has three children by three different men and
is strung-out on crack. Even after losing custody of her little girl
due to negligence, she's still an irresponsible mom.
Betty Jean's youngest son, Dexter, is in prison for a crime he swears
he didn't commit. He's eligible for parole and is constantly writing
his mother begging for money and telling her about his extravagant plans
for his life once he's released - all of which Betty Jean knows are
totally unattainable.
Her oldest son, Quentin, is a successful chiropractor and serial
husband, currently working on his fifth wife. Though he claims to love
his mother, he doesn't bother to spend any time with her - or spend any
money on her - to prove that love. In fact, he doesn't want anyone who
reminds him of his African American heritage.
But if she doesn't get support from her children, she certainly gets it from her two sisters, though not the kind she needs.
Her younger sister, Venetia, is a Bible-quoting fanatic. She firmly
believes that all of Betty Jean's problems would be resolved if she
would just attend church every Sunday. Married to a wealthy but absent
husband, Venetia strives to be compassionate, but can't really
understand other people's problems because she's too busy denying her
own.
Her older sister, Arlene, on the other hand, doesn't give a hoot
about compassion. She's bossy, controlling, overly critical, and always
has something to say. In her opinion - and her opinion is the only one
that counts - if Betty Jean would just let her run her life, everything
would be straightened out quickly. But while Arlene swears she knows
what's best for everyone else, she's blind to the fact that her
overbearing ways are suffocating her own adult son.
When Trinetta drops off her children for a few hours, then skips town
with a boyfriend, Betty Jean is faced with trying to take care of two
needy little boys while working full time.
Arlene weighs in quickly: Betty Jean should put the kids in foster
care, put her husband in a nursing home, and move on with her life.
Venetia believes that this is Betty Jean's chance for a do-over.
Since Trinetta, Dexter, and Quentin all turned out to be
disappointments, she feels God is giving Betty Jean an opportunity to
prove she really can be a good mother.
Then life finally rips off Venetia's and Arlene's blindfolds, forcing
them to deal with the problems in their own households. Will the
sisters learn that by leaning on each other, they can all grow strong
enough to stand alone?
This is not a fairy tale - there's no Prince Charming, no Fairy Godmother, and no pot of gold at the end of the rainbow.
Instead, there is a loving husband who was once a rock, but is now a
burden; sisters and friends who say they are trying to help, but give
more grief than support; and a seemingly never-ending struggle to make
ends meet. But, in writing this book, Terry McMillan reminds us that no
matter what, there's always the possibility of a Happily Ever After.
Read more at http://www.philly.com/philly/entertainment/20130922_Character_we_can_all_root_for.html#itGPSuRtKtYRrDDx.99
