Showing posts with label writing tips. Show all posts
Showing posts with label writing tips. Show all posts

Monday, September 06, 2010



Publishing Tips - What is a Query Letter?


A query letter is a short letter (preferably one-page!) a writer sends to a literary agent or a book/magazine publisher. The purpose is to inform the agent/publisher about their manuscript in order to obtain representation (in the case of an agent) or publication of their writing (in case of a publisher.)

The most important thing to remember when sending out a query letter IS THAT IT is THE FIRST SAMPLE OF WRITING THE RECIVER WILL SEE!!! Therefore, it must be perfect. If you send out a one page letter with errors, the receiver will rightfully assume that your manuscript will be riddled with errors. Please believe me, no matter how tantalizing your book might be, no one wants to be bothered reading it knowing you don’t know how to write.

And, yes, if you send out a query letter with errors the assumption will be that you don’t know how to write. Or, that you don’t care enough about your writing to proofread it before sending it out – and that’s just as bad.

You want to immediately hook the reader of your query letter, so make sure you open with a zinger. Many people open with the “My name is ____ and I am writing to request representation for my manuscript . . .” but I suggest you make that sentence the opening of your second or third paragraph, and instead open up by telling what your book is about. AND MAKE IT INTERESTING.

Don’t go off, saying you’ve written the next New York Times Best Seller. Of course you have. And so has every other aspiring author who’s written the agent that day. Just get down to the nitty-gritty of what the book is about. One or two paragraphs should be enough.

Use the next paragraph to introduce yourself. Don’t only give your name, but also let the agent know a little about you. And while witty if fine, cutesy is not. Act like the professional you want yourself perceived to be.

In the next paragraph let the agent know why you decided to write this particular book, and give the manuscript length – use a word count, not the number of pages. Also, compare your manuscript to already published books so the agent can get a feel for how best the book might be marketed.

And in the very last paragraph, give your contact information – including telephone number and email address – and let the agent know you’d like to send them the full manuscript of the first few chapters, if they’d prefer. If you’re sending the query letter out via snail mail, be sure to include a self-addressed stamped envelope so the agent can get back to you quickly.

Responses to query letter can take anywhere from two weeks to two months, so I would suggest that you send out more than one query letter at a time rather than wait months for one only to find you’ve been rejected.

I will be including a sample query letter in a follow-up post so you can get a clearer idea of what one should look like.

Good luck you all!!!!!!!!!!!!!!!!!!!

Sunday, September 05, 2010

Showing Versus Telling Writing Exercises


Showing versus Telling

One of the problems exhibited in manuscripts written by new writers is telling instead of showing. Telling is boring, vague, and can be misunderstood, or misinterpreted. For instance, to say that a man is old may mean one thing to one person, and a whole other thing to someone else. Telling usually takes fewer words, but actually slows down a story. Showing, on the other hand, is exciting, specific, reads quickly and allows readers to feel as if they are actually witnessing the action. Most importantly, showing allows the reader to connect with what’s going on, and feel as if they are there witnessing the action.

Here’s the thing to remember: If a person is thirsty, and anywhere in the sentence you actually use the word “thirsty,” then you told rather showed. Never actually say the action, feeling, or emotion . . . show it. If she’s nervous and any where in the sentence you use the word nervous (or antsy), then you showed and not told. If he’s mad, and anywhere in the sentence you say he’s mad (or angry), then you showed and not told. And don’t cheat by using synonyms!

Look at the below examples:

Telling: He was impatient because she was taking so long.

Showing: He glanced at his watch for the second time in ten minutes, then glared at her, his foot incessantly tapping on the floor.
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Telling: He was hungry and wanted a piece of fried chicken, but didn't want anyone to know.

Showing: His mouth watered as he looked at the fried chicken, then quickly turned away and gave a weak smile at the others around the table; then coughing to mask the grumbling sounds coming from his stomach.
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Okay . . . now you try it!

Telling: She was happy to see him.

Showing:

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Telling: She was sleepy.

Showing:

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Telling: Jim was so angry he wanted to hit her, and he struggled to regain his composure.

Showing:
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Telling: Her coat was dirty and too small.

Showing:

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Telling: There was a picture missing from the wall

Showing:
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Telling: She liked the flowers he brought her.

Showing:
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Telling: He didn’t like the coffee, but drank it so as not hurt her feelings.

Showing:

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Telling: He was coming in, and she didn’t want him to know she’d been smoking.

Showing:
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Remember, practice makes perfect! It may seem hard to master the technique of Showing vs. Telling, but once you have mastered it you'll see you'll the technique almost without thinking about it.